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It's also deeply sad, but safran doesn't really give you much of a chance to absorb the sad parts, because this book is kinda like this guy:Īnd it's all flash and flutter before he is off onto another tangent of the story, another anecdote, another brief observation. it's also deeply sad, but safran doesn't really give you much of a chance to absorb the sad parts, because this book is kinda like this guy: and it's all flash and flutter before he is off onto another tangent of the story, another anecdote, another br i don't really read a lot of nonfiction, so when i do, it needs to be either about a subject matter i have a deep personal interest in: food, sharks, byron, books/linguistics, etc, or it needs to be really fun. I don't really read a lot of nonfiction, so when i do, it needs to be either about a subject matter i have a deep personal interest in: food, sharks, byron, books/linguistics, etc, or it needs to be really fun. Taking us places only he can, Safran paints an engrossing, revealing portrait of a dead man, his murderer, the place they lived and the process of trying to find out the truth about anything.more Murder in Mississippi is a brilliantly innovative true-crime story. And the more he talked with them, the less simple the crime, and the world, seemed. Over six months, Safran got deeper and deeper into the South, becoming entwined in the lives of those connected with the murder – white separatists, black campaigners, lawyers, investigators, neighbours, even the killer himself. Could the infamous racist actually have been secretly gay, with a thing for black men? Did Safran have the last footage of him alive? Could this be the story of a lifetime? Seizing his Truman Capote moment, he jumped on a plane to cover the trial. Maybe it was a dispute over money, or most intriguingly, over sex. A year later, he heard that the man had been murdered – and what was more, the killer was black.Īt first the murder seemed a twist on the old Deep South race crimes.
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Maybe it was a dispute over mone When filming his TV series Race Relations, John Safran spent an uneasy couple of days with one of Mississippi's most notorious white supremacists. At first the murder seemed a twist on the old Deep South race crimes. A year later, he heard that the man had been murdered – and what was more, the killer was black. When filming his TV series Race Relations, John Safran spent an uneasy couple of days with one of Mississippi's most notorious white supremacists.